A televised production of The Merry Widow featuring behind the scenes content.

Performed at the Lincoln Center. Conducted by Sarah Caldwell. The staging and costuming explicitly telegraphed the characters. For example, Rosina (Beverly Sills) has a gown with feathers and her room resembles a birdcage complete with a swing, telegraphing her as being confined like a bird.. Figaro (Alan Titus) looks like a barber pole, while the notary (Michael Rubino) has an inkwell on his hat. Dr. Bartolo (Donald Gramm) wears two pillars that are cracked after his plans to marry Rosina are thwarted. Tenor Henry Price as Almaviva sports books in his disguise as a student.

Zurich Opera House production of Franz Léhar's operetta, with Dagmar Schellenberger, Rodney Gilfry, and Ute Gfrerer in lead roles. Baron Zeta is desperate that the fabulously wealthy widow Hanna Glavari marry a Pontevedrian man so that her fortune remains in the country. He attempts to match her and his handsome attaché, Danilo. It turns out that Danilo and Hanna had had a love affair in years past. Nevertheless, Danilo now refuses to love her because he doesn't want to appear like he is only interested in her money...

Franz Léhar's operetta The Merry Widow has enjoyed extraordinary international success since its premiere in Vienna in 1905 and has been performed and performed again and again. With the 1979 revival at the Deutsche Oper Berlin, August Everding revives a forgotten piece of German-Jewish cultural history. When the Deutsche Oper Berlin staged this great work in 1979, the opera house initially came in for fierce criticism. However, this was not due to the performance itself, but to the fact that the Deutsche Oper Berlin was including operettas in its program for the first time. After 40 years, we have now succeeded in publishing this wonderful performance. This is also thanks to the approval of Dame Gwyneth Jones.

Franz Lehár’s “Die Lustige Witwe” is reputed to be one of the most famous operettas in the world. Under the direction of the French Jerome Savary's the “Merry Widow” sparkles. At the first staging of this production at the Opera-Comique in Paris (Octobre, 2005) the singers appeared to be having as much fun as the audience. The Austrian Maestro Manfred Honeck presents his musical view on this operetta.

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John Holmes is dictating his memoirs on the terrace of a penthouse in New York City. He has just left sunny California and all the wild orgies. He is desperately searching for the one woman who can deep throat his massive manhood. He's looking for...The New York City Woman.

A young man walks into a café and hears the Merry Widow Waltz being played for the first time. He immediately buys a copy. Music in hand, he forgets everything and hums along the way. Soon, he's amused to see two policemen start waltzing! He passes a house and hears a young girl playing the fashionable waltz on the piano. Irresistibly, he starts dancing, taking a lamppost as his partner. Then, in front of an organist, a horse tied to a cart also begins to waltz in a wild, unpredictable style. Finally, our young man returns to his room and sits down at his piano to play the tune. But he's barely begun when everything in the room starts waltzing wildly. Then, to his great surprise, the piano itself joins in, and as the boy continues to play the instrument, he finds himself lifted into the air!

因身涉国家机密，海军情报处退役军官梅西为躲避政敌——总统候选人汤姆玛斯的追杀，步步为营，处处设环，岂料百密一疏，致命刺客竟早已潜伏在其身边，在扑朔迷离的情况下，梅西到底能否粉碎幕后黑手巅覆国家政坛的阴谋，并寻得一线生机呢？

Reveals the immense new forces that were unleashed in New York.